Max Parodi is a little over the top as her failing husband but Riccardo Marino is suitably moody as her 'French' lover. Anna Jimskaia comes from Tashkent, Uzbekistan and has been a circus performer and gymnast, so no wonder she can bend that bottom high and so beautifully. True, we are given to understand that the leading lady is fantasizing/desiring all of this whereas it is of course, Mr Brass who is in charge of the fantasies portrayed, but then this is only a movie. But, come on everybody else, this is Mr Brass, this is Italian, so we get gutsy action, bottoms up, bottoms open and even bottoms on the toilet.
#Monamour full movie with translate movie#
And for those who take exception to the non PC and violent elements, I guess if this is your first Tinto Brass movie you could be forgiven for being taken aback that this is not all silky hand upon silky thigh to the drone of some appalling musak. Something lost in translation there, I think.
I suppose I understand the young couple who apparently picked up DVD of this film because it was described as an 'erotic thriller'. If you already saw the last seven Tinto's movie you won't find anything new, a part from the wonderful location (I would say better than the Venice of 'La Chiave' or 'Senso '45' ). During 2005 Mantova Festival Letteratura edition, Marta the deluded wife of Dario, a writer, meet Leon and start the habitual Brass lust-driven adventure. Anna Jimskaia is Ukraine (just for your info) and was chosen by director for her bottom As usual! SPOILERS follow.
More interesting is, on the DVD edition (region 2), the making off, that show us all the tricks used to film all the 'deep impact' explicit sex scenes (i.e. On the background anyway you can still find out the usual Brass' hymn to sensuality and lust. Nothing new at all, also some shots are the same. Incredibly the sets are more or less the same of 'Senso '45', 'Fermo posta Tinto Brass' and 'Fallo!'. It is another movie full of Brass obsessions like hungry voluptuous women, impatient to be sodomized, to be unfaithful, to go with everyone but not their husbands. Repetitive is the right attribute to this nasty movie, that lost the originality of 'Capriccio' or 'Senso 45'. Nothing comparable to his previous period (from 1983 'La Chiave' to 1991 'Paprika'). For those who don't know Tinto Brass I'm talking of his third period, from 'Così fan tutte' to this repetitive 'Monamour'. Typical movie of Brass's last licentious period.
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